animals
0 the violent winds and ten directions
1 but there were times i knew the way
1 the creativity of the character scrawls across the surface
10 mountains have space all the way to the edge of the frame
11 too many troubled dreams
11 water fades out in the dryness of the silk
12 air and dragons, thunder god and wind god
13 i hide in those spaces, illusions made from just about anything
13 the relative heaviness of the world
14 arms reach out in directions where there's nothing else
15 when they sat upon their haunches
16 hungry ghosts without features
16 now, here's what i have to tell you!
17 at times the skin of the flayed god
19 i didn't get very much praise
2 of things
20 against the background streaked with blood
22 the grain of _this_ voice and its tenor
23 moved them out of harms way
26 one always took one's chances
27 none other of words in other words but others
3 as if they would devour me
3 incision-knives leaning towards scarred world-flesh
3 sometimes i appeared bright and shiny
30 before there were animals and distortions of all kinds
30 of that which the glistened jewel
31 now animals howl legless and mouthless in the brush
32 whose gaunt bodies and shortened arms
33 of the flayed god
33 to find ghosts and other creatures
35 fornicated and mated with surplus of progeny
37 nothing would
39 the two of them together
4 warring states use these things
40 the curved jewel
40 would satisfy them and at times
41 eternally they supplicated
41 no ideas but in things
42 it's all about the wonder and the hunger
42 those were the days
43 dizzy in turmoil
44 traces
48 whose way i had lost forever
5 characters cover jade herded towards edges and knives
5 such creatures
50 the glittered green and redding jewel
51 gods flying around over the heavens
51 shall this be packed
51 watching the struggle
54 azure lying against me in furious pain
55 beyond the flayed god
58 shall this
59 what a surprise
6 wars among characters and states
62 have nothing on us
63 have nothing on us
63 wonder with open eyes
64 the road winds through the animals
65 the ghosts would scream and wrack the skies
69 animals teeter against the background streaked with blood
7 scrawled characters extending regardless of across worlds
71 hunger striving towards fulfillment
74 daggers and skulls to drink from
81 screaming sometimes against writing animals and striving hunger
81 writing is the phenomenon of speech
84 animals howl against the words moved from the way of harm
87 my heart is torn through inconceivable distances
89 animals, my heart, jennifer, the grain of the voice
9 a character has the space of a country
9 the storms and draughts
91 teetering animals, skulls, and inconceivable distance
kwat!
i will am have satori kwat! now i do have it it is not the moon
i do have it you fall over the cliff kwat! i am will have satori
i will am have satori
kwat! now i do have it
it is not the moon
i do have it
you fall over the cliff
kwat! i am will have satori
i will have satori, i am satori
kwat! now i have it!
it's not the moon, nothing like that
i have it
you - you fall over the cliff
kwat! i am satori!
i'm charging seven thousand leagues for satori
maybe i'll get it, maybe i won't! kya!
it's not the moon or the sun
it's nothing, but i have it
you're already gone in the world -
but (as for) me - kya!
i'm charging seven thousand leagues for satori
i'm riding the elephant bigger than any bodhisattva
kya! bigger than the sun or moon
nothing! where are you?
kya!
kya pe, the elephant!
bigger than that, satori!
bigger than that, nothing!
kya pe!
d'eruza and d'nala novices of prostitutes
use blush powder inside they'll hardly know : porneia
my spike my loving member staff of life gift to you my hole unused yearning
to be taught everything you have to offer my crumbling spike my crumbling
hole my first my first kwak! : my spike grabbed by azure, "keep together,
swallow dirt, eat each other," kwk! pushout from inside shaved like a
youngboy youngirl tell them they're the first use blush powder inside
they'll hardly know porneia : pornos kwak! pornodidaskolos stand nearer the
window bend backward open yourself remember your swollen mound the edge of
it just slightly visible including the moistened areas they'll be valuable
appear shameless contrary kawak! you'll do everything :: they'll hardly
know porneia :: last_word is luscious-hole tender-spike in black earth, it's
last_word :: my hard-rafter softly-pitting is yours
are you satisfied with your my spike my loving member staff of life gift
to you my hole unused yearning to be taught everything you have to offer
my crumbling spike my crumbling hole my first my first kwak! ? yes vio-
lations and tears nightmare! your gully mined, burying you and d'eruza.
:: corrosion my spike my loving member staff of life gift to you my hole
unus ed yearning to be taught everything you have to offer my crumbling
spike my cr umbling hole my first my first kwak! 25799 - don't tell me
different.
d'trance
0 the violent winds and ten directions
1 but there were times i knew the way
15 when they sat upon their haunches
16 hungry ghosts without features
16 now, here's what i have to tell you!
17 at times the skin of the flayed god
19 i didn't get very much praise
20 against the background streaked with blood
23 moved them out of harms way
26 one always took one's chances
3 as if they would devour me
3 sometimes i appeared bright and shiny
30 of that which the glistened jewel
32 whose gaunt bodies and shortened arms
33 of the flayed god
33 to find ghosts and other creatures
35 fornicated and mated with surplus of progeny
37 nothing would
39 the two of them together
40 the curved jewel
40 would satisfy them and at times
41 eternally they supplicated
42 it's all about the wonder and the hunger
42 those were the days!
44 traces
48 whose way i had lost forever
5 such creatures
50 the glittered green and redding jewel
51 watching the struggle
55 of the flayed god
59 what a surprise
63 wonder with open eyes
65 the ghosts would scream and wrack the skies
71 hunger striving towards fulfillment
74 daggers and skulls to drink from
77 writing is
81 writing is the phenomenon of speech
9 the storms and draughts
Hun Tun
"Three hundred and fifty leagues further west ins a mountain called Mount
Sky. It has a great amount of gold and jade, and green male-yellow. The
River Brave rises here and then flows southwest to empty into Hotwater
Valley. There is a god here who looks like a yellow sack. He is scarlet like
cinnabar fire. He has six feet and four wings. He is Muddle Thick. He has no
face and no eyes. He knows how to sing and dance. He is in truth the great
god Long River." The Classic of Mountains and Seas, tr. Anne Birrell. In the
Notes on Chinese Names And Terms, she writes: "Muddle Thick (Hun Tun): A god
representing chaos, located on Mount sky in the West. His attributes are a
shapeless body, coloured yellow with scarlet markings, and with double
wings, and the feet of a reptile. Though faceless and eyeless, this deity is
the origin of song and dance. He is also known as the great god Long River
(an unfamiliar title). The most famous myth of this god is not given here,
but it appears in a parallel text of the fourth century BC which emphasizes
the god's formlessness, and especially his lack of bodily orifices. His name
appears in various compounds and with variant graphs to denote the state of
shapelessness and confusion, especially the primordial state before the
creation of the universe."
The chaotic god clumsily tilting throughout the world, backwards and
forwards simultaneously, mouthlessly singing, the confused presence of
language thick within him. Why assume that song, dance, literature,
connote even the vaguest of freedoms? One can imagine the rumbling of
music, internal rhythms and the sloshing of bloods - wayward, contrary,
unable to take orders, moving everywhichaway, hardly an idea of progress
or restraint. Sound and sight, speaking and hearing, are irruptions from
within; the outer world for humans is rumination, blather, deflection. Hun
Tun has no time and space for any of this; he's busy in his catatonia - one
might think of worldrhythms by proxy, and his own immunity to'em. What he
produces doesn't go anywhere; there's no facing him. Language ceases any
relation to utterance, instance, instantiation. Hun Tun understands the
universe! He's right there, with the language of't.
(of Nottingham, this evening, with a digital camera)
genesis, making of marion
you will be made, marion, said d'nala looking sweetly at d'eruza who
prepared for the cyclical response of time and untoward, almost rude and
impolite, space of grandeur dolmen locate in central sherwood forest.
d'nala, useless and d'eruza useless and who will think of sheriff peter
hard against evil robin hood, made marion. just this once. made marion,
just this once. oh such a tiny little dear said d'eruza! how beauty
beauty! untold tens of thousands collapse in sherwood forest, hello
mister sheriff. words are dead when you are good archer, robin, said
d'nala, we are watch you. we will learn you. good, said robin, learn me.
all his little friends did sit and did learn around robin the merry
archer. d'nala and d'eruza untold in sherwood forest, oh made marion,
change my word for me, devour my letter, shave the shaft, kill the artful
dodger, o nottingham! o sherwood forest!
your flights' deconstruction of archery is outside my arrow keening.
you have destroy my arrow, said robin, who had made marion. oh oh oh
said d'nala and d'eruza and well i never and things like that!
Demarcations
"Now, whatever is moist he created from semen, and that is Soma. All this
universe is food and the eater of food. For Soma is food, and Agni is the
eater of food. This was the surpassing creation of Brahma, for he created
the gods, who were better than him, when he, being mortal, created immor-
tals. Therefore it was a surpassing creation. Whoever knows this is born
in that surpassing creation of his." (from Hindu Myths, Wendy Doniger
O'Flaherty.)
Certainly Jennifer is surpassing, because Jennifer has been the longest,
takes all the time in the world, from the beginning to the end of time,
and has been wide-variety.
Certainly Julu is non-surpassing, because she is within Jennifer, and is
thereby lesser, occupying narrow-variety, and within a limited of time.
Certainly Nikuko is surpassing, because she is inspiration and breathing
and demi-urge meat-girl big-god, and she is everywhere and lives within
Jennifer but Jennifer lives within her.
But certainly Alan is non-surpassing, because he must write for Jennifer
and Julu and Nikuko, and his writing is the business of writing beings and
the Being of writing, and he calls this writing, wryting. And it is non-
surpassing because it dwells within him, choking him upon its vowels and
consonants and semi-vowels.
Now d'eruza is certainly surpassing and now d'nala is certainly non-sur-
passing because d'eruza borders and bounds and binds, and d'nala is
bordered and bound and bound by the arm movements of d'eruza, by the hand
movements of d'eruza, by the finger movements of d'eruza. So d'nala is
certainly non-surpassing and he is no wryting for d'eruza. Now certainly
Jennifer is surpassing for the wryting of d'nala.
This is the surpassing and the non-surpassing of being.
the coming into the learning
i am d'nala d'eruza. i am here to learn the fruitful arts of prostitution
and divination.
i was sent to you. d'eruza sent me. d'nala sent me.
i beg of you to teach me. you have knowledge i need. knowledge in the rose
of virginity, the cleanliness of the organ, the turning-shaft, burial mound
and sunlit ray. i have no desire but to learn. you will teach me. my life
has tended towards this. d'nala nurtured me; d'eruza tendered me.
i would like knowledge. i would like knowledge of perfumes and scents. i
would like knowledge of ch'in and shamisen. i would like knowledge of the
classic of rivers and mountains. i would like knowledge of the god of death.
i would like knowledge of d'nala and d'eruza.
i am alone in this. i am speechless and mute. i demand silence in my
presence. there are no fears. you must teach me the ways of prostitution
and divination. you must teach me the ways of men and women. i do not
understand you in this line of questioning.
d'nala comes to you naked. d'eruza comes to you naked. there is always
some girl and always some boy. there are always children with weapons.
there are always wounded. we have no reasons. we have no reasons. our
soliloquy is your death. but first we must learn the ways of prostitution
and shamanism.
d'nala and d'eruza have come to you naked and whole. our shafts and holes
are cleansed. we have fulfilled all the rites and obligations. we have
prepared ourselves as best we know how. we have purchased the [lacuna] and
the great storehouse [?] of clothing. we have been sent and cleansed.
we are purified and untroubled. we are d'nala and d'eruza. we have come to
learn the sacred paths of prostitution and shamanism. you are our fantasies,
the clothes you exhibit, the slightest taste of skin, the edge beneath the
outer sheathing, the paraphernalia of rites and prohibitions.
the ritual objects and tethered animals. the sacred mats and hairs of only
one color. the banners and winds. the ritual objects and tethered animals.
the d'nala and d'eruza.
yes, we must first learn the knowledge of prostitution and shamanism.
yes, we have offered everything to you. yes, we have come a great way.
yes, we are cleansed. yes, we are prepared. we have no desires of our own
that enter beneath the canopy of this and any other world.
we have emptied ourselves and emptied ourselves of such desires.
we have emptied ourselves and emptied ourselves of inhibitions.
we have emptied ourselves and emptied ourselves of fears.
teach us and teach us as we have been sent and cleansed.
teach us and teach us as we have come to learn the knowledge of
prostitution and shamanism.
our childhood is our command.
nya nya kwe nya nya
um
nya nya kwe nya nya
nya nya kwe nya nya
um
nya nya kwe nya nya
um pe kwe nya nya nya
um
um pe kwe nya nya nya
um pe kwe nya nya nya
um
um pe kwe nya nya nya
aum wa aumm
quid
d'nala and d'eruza say - what is it about the ten pound girl and the ten
pound boy. for ten quid you get to see us naked. for ten quid you get to
hear the inside-lung air screeched into the outside air. for ten quid you
get everything spoken, stretched, murmured, yelled, shouted, moaned for
the last ten years. for ten quid you get the truth of the real and the
falsehood of the world. for just ten quid you get the inside of our holes
and the outside of our holes and our most intimate ways of speech and
phenomena. for ten quid you get to see the generation of phenomena, the
making of phenomena, the destruction of phenomena, the origin of phenomena
and of all things and beings and the namings of all things and beings. for
ten quid you get all you will need in this and all other worlds and you
get the making of this and all other worlds. you get the close-up making
and the intimate making and the magnified making and the slow-down making
and the take-apart making. for ten quid you get all the makings you will
ever need and all the understandings of all makings you will ever need.
come you will bring us ten quid and we will give you our disk with all the
makings and the truth of all the makings, the destruction and constitution
of all makings, the subtle falsehoods and seductions of all makings, we
have come here, say d'eruza and d'nala, to offer you this disk with the
being of all makings, with the understanding comprehension, with the
shortcut of understanding and comprehension, with the illuminating disk,
with the disk that may be understood, with all beings and with all
comprehending and uncomprehending phenomena.
thousands of millions of hundreds of thousands of eighty-four thousands of
tens of thousands of hundreds of eighty-four thousands of millions of
hundreds of and tens of thousands of eighty-four hundreds of millions
skull
d'nala emptied his hole into d'eruza. d'eruza emptied her hole into d'nala.
waters sloshed back and forth across glittering jade. some central mountains
carried avenging angel fungi. spores fell in the glittering jade. yellow
waters sloshed from d'eruza to d'nala. red waters sloshed from d'nala to
d'eruza. d'nala's hole accepted yellow waters, turned into red waters.
d'eruza's hole accepted red waters, turned into yellow waters. glittering
jade gold and supple, redgold and yellowgold. d'nala offered his hole to
beggars drinking of yellow waters. d'eruza offered her hole to mendicants
drinking of red waters. thickened yellow and red waters flowed cross
sacrificial offerings. d'nala's hole accepted thickened waters from d'eruza.
d'eruza accepted thickened waters from d'nala. thickened waters sloshed back
and forth across glittering redgold yellowgold jade. thickened waters from
d'eruza's hole dissolved d'nala into thickened waters. thickened waters from
d'nala's hole dissolved d'eruza into thickened waters. thicker redwaters
yellowwaters made d'nala. thicker yellowwaters redwaters made d'eruza.
d'nala emptied d'nala's hole into d'eruza. d'eruza emptied d'eruza's hole
into d'nala. enlightenment flowed all around.