animals 0 the violent winds and ten directions 1 but there were times i knew the way 1 the creativity of the character scrawls across the surface 10 mountains have space all the way to the edge of the frame 11 too many troubled dreams 11 water fades out in the dryness of the silk 12 air and dragons, thunder god and wind god 13 i hide in those spaces, illusions made from just about anything 13 the relative heaviness of the world 14 arms reach out in directions where there's nothing else 15 when they sat upon their haunches 16 hungry ghosts without features 16 now, here's what i have to tell you! 17 at times the skin of the flayed god 19 i didn't get very much praise 2 of things 20 against the background streaked with blood 22 the grain of _this_ voice and its tenor 23 moved them out of harms way 26 one always took one's chances 27 none other of words in other words but others 3 as if they would devour me 3 incision-knives leaning towards scarred world-flesh 3 sometimes i appeared bright and shiny 30 before there were animals and distortions of all kinds 30 of that which the glistened jewel 31 now animals howl legless and mouthless in the brush 32 whose gaunt bodies and shortened arms 33 of the flayed god 33 to find ghosts and other creatures 35 fornicated and mated with surplus of progeny 37 nothing would 39 the two of them together 4 warring states use these things 40 the curved jewel 40 would satisfy them and at times 41 eternally they supplicated 41 no ideas but in things 42 it's all about the wonder and the hunger 42 those were the days 43 dizzy in turmoil 44 traces 48 whose way i had lost forever 5 characters cover jade herded towards edges and knives 5 such creatures 50 the glittered green and redding jewel 51 gods flying around over the heavens 51 shall this be packed 51 watching the struggle 54 azure lying against me in furious pain 55 beyond the flayed god 58 shall this 59 what a surprise 6 wars among characters and states 62 have nothing on us 63 have nothing on us 63 wonder with open eyes 64 the road winds through the animals 65 the ghosts would scream and wrack the skies 69 animals teeter against the background streaked with blood 7 scrawled characters extending regardless of across worlds 71 hunger striving towards fulfillment 74 daggers and skulls to drink from 81 screaming sometimes against writing animals and striving hunger 81 writing is the phenomenon of speech 84 animals howl against the words moved from the way of harm 87 my heart is torn through inconceivable distances 89 animals, my heart, jennifer, the grain of the voice 9 a character has the space of a country 9 the storms and draughts 91 teetering animals, skulls, and inconceivable distance
kwat! i will am have satori kwat! now i do have it it is not the moon i do have it you fall over the cliff kwat! i am will have satori i will am have satori kwat! now i do have it it is not the moon i do have it you fall over the cliff kwat! i am will have satori i will have satori, i am satori kwat! now i have it! it's not the moon, nothing like that i have it you - you fall over the cliff kwat! i am satori! i'm charging seven thousand leagues for satori maybe i'll get it, maybe i won't! kya! it's not the moon or the sun it's nothing, but i have it you're already gone in the world - but (as for) me - kya! i'm charging seven thousand leagues for satori i'm riding the elephant bigger than any bodhisattva kya! bigger than the sun or moon nothing! where are you? kya! kya pe, the elephant! bigger than that, satori! bigger than that, nothing! kya pe!
d'eruza and d'nala novices of prostitutes use blush powder inside they'll hardly know : porneia my spike my loving member staff of life gift to you my hole unused yearning to be taught everything you have to offer my crumbling spike my crumbling hole my first my first kwak! : my spike grabbed by azure, "keep together, swallow dirt, eat each other," kwk! pushout from inside shaved like a youngboy youngirl tell them they're the first use blush powder inside they'll hardly know porneia : pornos kwak! pornodidaskolos stand nearer the window bend backward open yourself remember your swollen mound the edge of it just slightly visible including the moistened areas they'll be valuable appear shameless contrary kawak! you'll do everything :: they'll hardly know porneia :: last_word is luscious-hole tender-spike in black earth, it's last_word :: my hard-rafter softly-pitting is yours are you satisfied with your my spike my loving member staff of life gift to you my hole unused yearning to be taught everything you have to offer my crumbling spike my crumbling hole my first my first kwak! ? yes vio- lations and tears nightmare! your gully mined, burying you and d'eruza. :: corrosion my spike my loving member staff of life gift to you my hole unus ed yearning to be taught everything you have to offer my crumbling spike my cr umbling hole my first my first kwak! 25799 - don't tell me different.
d'trance 0 the violent winds and ten directions 1 but there were times i knew the way 15 when they sat upon their haunches 16 hungry ghosts without features 16 now, here's what i have to tell you! 17 at times the skin of the flayed god 19 i didn't get very much praise 20 against the background streaked with blood 23 moved them out of harms way 26 one always took one's chances 3 as if they would devour me 3 sometimes i appeared bright and shiny 30 of that which the glistened jewel 32 whose gaunt bodies and shortened arms 33 of the flayed god 33 to find ghosts and other creatures 35 fornicated and mated with surplus of progeny 37 nothing would 39 the two of them together 40 the curved jewel 40 would satisfy them and at times 41 eternally they supplicated 42 it's all about the wonder and the hunger 42 those were the days! 44 traces 48 whose way i had lost forever 5 such creatures 50 the glittered green and redding jewel 51 watching the struggle 55 of the flayed god 59 what a surprise 63 wonder with open eyes 65 the ghosts would scream and wrack the skies 71 hunger striving towards fulfillment 74 daggers and skulls to drink from 77 writing is 81 writing is the phenomenon of speech 9 the storms and draughts
Hun Tun "Three hundred and fifty leagues further west ins a mountain called Mount Sky. It has a great amount of gold and jade, and green male-yellow. The River Brave rises here and then flows southwest to empty into Hotwater Valley. There is a god here who looks like a yellow sack. He is scarlet like cinnabar fire. He has six feet and four wings. He is Muddle Thick. He has no face and no eyes. He knows how to sing and dance. He is in truth the great god Long River." The Classic of Mountains and Seas, tr. Anne Birrell. In the Notes on Chinese Names And Terms, she writes: "Muddle Thick (Hun Tun): A god representing chaos, located on Mount sky in the West. His attributes are a shapeless body, coloured yellow with scarlet markings, and with double wings, and the feet of a reptile. Though faceless and eyeless, this deity is the origin of song and dance. He is also known as the great god Long River (an unfamiliar title). The most famous myth of this god is not given here, but it appears in a parallel text of the fourth century BC which emphasizes the god's formlessness, and especially his lack of bodily orifices. His name appears in various compounds and with variant graphs to denote the state of shapelessness and confusion, especially the primordial state before the creation of the universe." The chaotic god clumsily tilting throughout the world, backwards and forwards simultaneously, mouthlessly singing, the confused presence of language thick within him. Why assume that song, dance, literature, connote even the vaguest of freedoms? One can imagine the rumbling of music, internal rhythms and the sloshing of bloods - wayward, contrary, unable to take orders, moving everywhichaway, hardly an idea of progress or restraint. Sound and sight, speaking and hearing, are irruptions from within; the outer world for humans is rumination, blather, deflection. Hun Tun has no time and space for any of this; he's busy in his catatonia - one might think of worldrhythms by proxy, and his own immunity to'em. What he produces doesn't go anywhere; there's no facing him. Language ceases any relation to utterance, instance, instantiation. Hun Tun understands the universe! He's right there, with the language of't.
(of Nottingham, this evening, with a digital camera) genesis, making of marion you will be made, marion, said d'nala looking sweetly at d'eruza who prepared for the cyclical response of time and untoward, almost rude and impolite, space of grandeur dolmen locate in central sherwood forest. d'nala, useless and d'eruza useless and who will think of sheriff peter hard against evil robin hood, made marion. just this once. made marion, just this once. oh such a tiny little dear said d'eruza! how beauty beauty! untold tens of thousands collapse in sherwood forest, hello mister sheriff. words are dead when you are good archer, robin, said d'nala, we are watch you. we will learn you. good, said robin, learn me. all his little friends did sit and did learn around robin the merry archer. d'nala and d'eruza untold in sherwood forest, oh made marion, change my word for me, devour my letter, shave the shaft, kill the artful dodger, o nottingham! o sherwood forest! your flights' deconstruction of archery is outside my arrow keening. you have destroy my arrow, said robin, who had made marion. oh oh oh said d'nala and d'eruza and well i never and things like that!
Demarcations "Now, whatever is moist he created from semen, and that is Soma. All this universe is food and the eater of food. For Soma is food, and Agni is the eater of food. This was the surpassing creation of Brahma, for he created the gods, who were better than him, when he, being mortal, created immor- tals. Therefore it was a surpassing creation. Whoever knows this is born in that surpassing creation of his." (from Hindu Myths, Wendy Doniger O'Flaherty.) Certainly Jennifer is surpassing, because Jennifer has been the longest, takes all the time in the world, from the beginning to the end of time, and has been wide-variety. Certainly Julu is non-surpassing, because she is within Jennifer, and is thereby lesser, occupying narrow-variety, and within a limited of time. Certainly Nikuko is surpassing, because she is inspiration and breathing and demi-urge meat-girl big-god, and she is everywhere and lives within Jennifer but Jennifer lives within her. But certainly Alan is non-surpassing, because he must write for Jennifer and Julu and Nikuko, and his writing is the business of writing beings and the Being of writing, and he calls this writing, wryting. And it is non- surpassing because it dwells within him, choking him upon its vowels and consonants and semi-vowels. Now d'eruza is certainly surpassing and now d'nala is certainly non-sur- passing because d'eruza borders and bounds and binds, and d'nala is bordered and bound and bound by the arm movements of d'eruza, by the hand movements of d'eruza, by the finger movements of d'eruza. So d'nala is certainly non-surpassing and he is no wryting for d'eruza. Now certainly Jennifer is surpassing for the wryting of d'nala. This is the surpassing and the non-surpassing of being.
the coming into the learning i am d'nala d'eruza. i am here to learn the fruitful arts of prostitution and divination. i was sent to you. d'eruza sent me. d'nala sent me. i beg of you to teach me. you have knowledge i need. knowledge in the rose of virginity, the cleanliness of the organ, the turning-shaft, burial mound and sunlit ray. i have no desire but to learn. you will teach me. my life has tended towards this. d'nala nurtured me; d'eruza tendered me. i would like knowledge. i would like knowledge of perfumes and scents. i would like knowledge of ch'in and shamisen. i would like knowledge of the classic of rivers and mountains. i would like knowledge of the god of death. i would like knowledge of d'nala and d'eruza. i am alone in this. i am speechless and mute. i demand silence in my presence. there are no fears. you must teach me the ways of prostitution and divination. you must teach me the ways of men and women. i do not understand you in this line of questioning. d'nala comes to you naked. d'eruza comes to you naked. there is always some girl and always some boy. there are always children with weapons. there are always wounded. we have no reasons. we have no reasons. our soliloquy is your death. but first we must learn the ways of prostitution and shamanism. d'nala and d'eruza have come to you naked and whole. our shafts and holes are cleansed. we have fulfilled all the rites and obligations. we have prepared ourselves as best we know how. we have purchased the [lacuna] and the great storehouse [?] of clothing. we have been sent and cleansed. we are purified and untroubled. we are d'nala and d'eruza. we have come to learn the sacred paths of prostitution and shamanism. you are our fantasies, the clothes you exhibit, the slightest taste of skin, the edge beneath the outer sheathing, the paraphernalia of rites and prohibitions. the ritual objects and tethered animals. the sacred mats and hairs of only one color. the banners and winds. the ritual objects and tethered animals. the d'nala and d'eruza. yes, we must first learn the knowledge of prostitution and shamanism. yes, we have offered everything to you. yes, we have come a great way. yes, we are cleansed. yes, we are prepared. we have no desires of our own that enter beneath the canopy of this and any other world. we have emptied ourselves and emptied ourselves of such desires. we have emptied ourselves and emptied ourselves of inhibitions. we have emptied ourselves and emptied ourselves of fears. teach us and teach us as we have been sent and cleansed. teach us and teach us as we have come to learn the knowledge of prostitution and shamanism. our childhood is our command.
nya nya kwe nya nya um nya nya kwe nya nya nya nya kwe nya nya um nya nya kwe nya nya um pe kwe nya nya nya um um pe kwe nya nya nya um pe kwe nya nya nya um um pe kwe nya nya nya aum wa aumm
quid d'nala and d'eruza say - what is it about the ten pound girl and the ten pound boy. for ten quid you get to see us naked. for ten quid you get to hear the inside-lung air screeched into the outside air. for ten quid you get everything spoken, stretched, murmured, yelled, shouted, moaned for the last ten years. for ten quid you get the truth of the real and the falsehood of the world. for just ten quid you get the inside of our holes and the outside of our holes and our most intimate ways of speech and phenomena. for ten quid you get to see the generation of phenomena, the making of phenomena, the destruction of phenomena, the origin of phenomena and of all things and beings and the namings of all things and beings. for ten quid you get all you will need in this and all other worlds and you get the making of this and all other worlds. you get the close-up making and the intimate making and the magnified making and the slow-down making and the take-apart making. for ten quid you get all the makings you will ever need and all the understandings of all makings you will ever need. come you will bring us ten quid and we will give you our disk with all the makings and the truth of all the makings, the destruction and constitution of all makings, the subtle falsehoods and seductions of all makings, we have come here, say d'eruza and d'nala, to offer you this disk with the being of all makings, with the understanding comprehension, with the shortcut of understanding and comprehension, with the illuminating disk, with the disk that may be understood, with all beings and with all comprehending and uncomprehending phenomena. thousands of millions of hundreds of thousands of eighty-four thousands of tens of thousands of hundreds of eighty-four thousands of millions of hundreds of and tens of thousands of eighty-four hundreds of millions
skull d'nala emptied his hole into d'eruza. d'eruza emptied her hole into d'nala. waters sloshed back and forth across glittering jade. some central mountains carried avenging angel fungi. spores fell in the glittering jade. yellow waters sloshed from d'eruza to d'nala. red waters sloshed from d'nala to d'eruza. d'nala's hole accepted yellow waters, turned into red waters. d'eruza's hole accepted red waters, turned into yellow waters. glittering jade gold and supple, redgold and yellowgold. d'nala offered his hole to beggars drinking of yellow waters. d'eruza offered her hole to mendicants drinking of red waters. thickened yellow and red waters flowed cross sacrificial offerings. d'nala's hole accepted thickened waters from d'eruza. d'eruza accepted thickened waters from d'nala. thickened waters sloshed back and forth across glittering redgold yellowgold jade. thickened waters from d'eruza's hole dissolved d'nala into thickened waters. thickened waters from d'nala's hole dissolved d'eruza into thickened waters. thicker redwaters yellowwaters made d'nala. thicker yellowwaters redwaters made d'eruza. d'nala emptied d'nala's hole into d'eruza. d'eruza emptied d'eruza's hole into d'nala. enlightenment flowed all around.