Rhizomes 31: "*Meme Culture, Alienation Capital, and Gestic Play." Produced by Davin Heckman and Talan Memmott.
Calls For Papers
Rhizomes 32 Special Issue, "Austen and Deleuze." Edited by Michael Kramp.
Forthcoming: Rhizomes 31, "*Meme Culture, Alienation Capital, and Gestic Play."
Produced by Davin Heckman and Talan Memmott
*This special issue focuses on patterns of emergence, of decadence, of virality and longevity in relation to the cultural networks within which memes circulate.
In preparation for applying, potential participant/contributors are encouraged to begin developing a thesis around issues related to meme culture including: rhetorical construction, function and modalities in meme forms such as image-macros, photo-fads, and viral video; memes as social and cultural capital; issues of play in meme culture. Admitted participant/contributors will develop their projects in the context of the online course offered in Fall 2015, and the content and form of the special issue will be developed, edited, and otherwise mut(il)ated with the goal of producing an assemblage capable of creating new machine generated email@example.com
Call for Papers: Rhizomes 32, "Austen and Deleuze."
Edited by Michael Kramp
2017 is the 200th anniversary of Jane Austen's death. Austen has become one of the most discussed and beloved literary figures; indeed, her status as one of our most beloved literary figures has often influenced the ways in which her life and works are discussed within critical circles. Eve Sedgwick famously announced that Austen criticism is "notable not just for its timidity and banality but for its unresting exaction of the spectacle of a Girl Being Taught a Lesson." This special issue of Rhizomes invites critical articles and creative works that dismiss both this legacy of timidity and the tendency to exact pedagogical spectacles through scholarship. Despite the vast critical attention devoted to her writings, contemporary theoretical approaches to her novels and corpus remain relatively sparse. We are specifically interesting in pursuing submissions that engage Austen within such contemporary theoretical discussions. While we are particularly interested in Deleuzian readings of Austen, our goal is to generate a collection of distinctly new approaches to her fiction, and we thus welcome various critical and theoretical approaches that push the boundary of current Austen studies beyond the banal. We are interested in treatments of her fiction, including her juvenilia, as well as the filmic and literary adaptations of her writings, and the enduring vogue of Austen and her followers.
Complete articles are due by December 15, 2016. Please send all inquiries to Michael Kramp at firstname.lastname@example.org.